{"id":86,"date":"2012-02-23T13:21:54","date_gmt":"2012-02-23T13:21:54","guid":{"rendered":"http:\/\/superabundance.co.uk\/book\/?page_id=86"},"modified":"2013-11-01T14:11:44","modified_gmt":"2013-11-01T14:11:44","slug":"nicholas-hickey","status":"publish","type":"page","link":"https:\/\/superabundance.co.uk\/book\/nicholas-hickey\/","title":{"rendered":"Nicholas Hickey"},"content":{"rendered":"<div id=\"attachment_1018\" style=\"width: 677px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1018\" class=\"size-full wp-image-1018\" title=\"In front of\" src=\"https:\/\/uuk.kxe.temporary.site\/website_0e10ecbc\/book\/wp-content\/uploads\/2012\/02\/Port_hockney.jpg\" alt=\"David Hockney\" width=\"667\" height=\"500\" srcset=\"https:\/\/superabundance.co.uk\/book\/wp-content\/uploads\/2012\/02\/Port_hockney.jpg 667w, https:\/\/superabundance.co.uk\/book\/wp-content\/uploads\/2012\/02\/Port_hockney-300x224.jpg 300w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><p id=\"caption-attachment-1018\" class=\"wp-caption-text\">&#8216;The artist at an exhibition&#8217; &#8211; 2012<\/p><\/div>\n<h1>\u201cAs the image degenerates, intent and effect, art and figure, digital and analogue, information and context merges and becomes\u2026\u201d<\/h1>\n<p style=\"padding-left: 330px;\">I was briefly discussing \u2018creative machines\u2019 with <a href=\"http:\/\/www.cs.bham.ac.uk\/~axs\/#whoiam\" target=\"_blank\">Aaron Sloman.<\/a><br \/>\nI thought the drawing machine problem was an interesting one. Not because machines making art is interesting, it can be, but because it questions what is human art. Instead of asking whether the machine draws a \u2018correct\u2019 chair or whatever, correct representation is never part of the criteria of what art is as all photographs would be almost perfect art in that case, we should ask; how will AI art be seriously considered?<\/p>\n<p style=\"padding-left: 330px;\">I think it comes down to intent. What the person or machine in question intended. Leaving the difficult slippery concept of art for one moment, let\u2019s ask an average person to illustrate something, where they live for instance. Usually a map is drawn. The marks have meaning for that person and perhaps for another who needs to know the way.<br \/>\nIt has no other function than to impart information. Not unlike a machine drawing. Yet it could be considered art if the intent was so.<br \/>\nInstead of comparing a machine&#8217;s drawings to a drawing by a person we should really be questioning the intent behind the drawings.<\/p>\n<p style=\"padding-left: 330px;\">I took the photo for &#8216;<em>The artist at an exhibition&#8217;<\/em>\u00a0at the Hockney RA exhibition, surreptitiously at arm\u2019s length, partly because I wasn\u2019t supposed to.<br \/>\nAs the figure fuses into the background art, a transformation takes place. The image degenerates, intent and effect, art and figure, digital and analogue, information and context merges and becomes\u2026 I\u2019m not really sure what.<br \/>\nThe other is of Aaron Sloman during a lecture on AI. I include it here because they appear to be curiously linked.<\/p>\n<div id=\"attachment_1381\" style=\"width: 510px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1381\" class=\"size-full wp-image-1381\" title=\"Aaron Sloman\" src=\"https:\/\/uuk.kxe.temporary.site\/website_0e10ecbc\/book\/wp-content\/uploads\/2012\/02\/A_Sloman.jpg\" alt=\"Aaron Sloman, Teoman Irmak\" width=\"500\" height=\"500\" srcset=\"https:\/\/superabundance.co.uk\/book\/wp-content\/uploads\/2012\/02\/A_Sloman.jpg 500w, https:\/\/superabundance.co.uk\/book\/wp-content\/uploads\/2012\/02\/A_Sloman-150x150.jpg 150w, https:\/\/superabundance.co.uk\/book\/wp-content\/uploads\/2012\/02\/A_Sloman-300x300.jpg 300w, https:\/\/superabundance.co.uk\/book\/wp-content\/uploads\/2012\/02\/A_Sloman-96x96.jpg 96w, https:\/\/superabundance.co.uk\/book\/wp-content\/uploads\/2012\/02\/A_Sloman-24x24.jpg 24w, https:\/\/superabundance.co.uk\/book\/wp-content\/uploads\/2012\/02\/A_Sloman-36x36.jpg 36w, https:\/\/superabundance.co.uk\/book\/wp-content\/uploads\/2012\/02\/A_Sloman-48x48.jpg 48w, https:\/\/superabundance.co.uk\/book\/wp-content\/uploads\/2012\/02\/A_Sloman-64x64.jpg 64w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><p id=\"caption-attachment-1381\" class=\"wp-caption-text\">&#8216;Aaron explains&#8217; &#8211; 2012<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cAs the image degenerates, intent and effect, art and figure, digital and analogue, information and context merges and becomes\u2026\u201d I was briefly discussing \u2018creative machines\u2019 with Aaron Sloman. I thought the drawing machine problem was an interesting one. Not because&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"1r-sidebar.php","meta":{"footnotes":""},"class_list":["post-86","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/superabundance.co.uk\/book\/wp-json\/wp\/v2\/pages\/86","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/superabundance.co.uk\/book\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/superabundance.co.uk\/book\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/superabundance.co.uk\/book\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/superabundance.co.uk\/book\/wp-json\/wp\/v2\/comments?post=86"}],"version-history":[{"count":23,"href":"https:\/\/superabundance.co.uk\/book\/wp-json\/wp\/v2\/pages\/86\/revisions"}],"predecessor-version":[{"id":1020,"href":"https:\/\/superabundance.co.uk\/book\/wp-json\/wp\/v2\/pages\/86\/revisions\/1020"}],"wp:attachment":[{"href":"https:\/\/superabundance.co.uk\/book\/wp-json\/wp\/v2\/media?parent=86"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}